The Netherlands was one of the countries where the Károli Bible was printed over and over again for centuries so that it could be distributed in Hungarian-speaking areas. On the wall of the main building of the University of Utrecht – a few meters from the hall where the united Netherlands was founded in 1579 – you can find a relief of a Hungarian student walking between the Reformed Great Church of Debrecen and the Utrecht Cathedral with the inscription: “In sanguine Christi conglutinati sumus” (Washed in the blood of Christ). This togetherness and solidarity were also expressed when in, 1676 the commander of the Dutch fleet, Admiral Ruyter, freed the Hungarian Protestant ministers from slavery in the Spanish galleys under the Viceroy of Naples. On the tomb of Admiral Michiel de Ruyter, in the depths of the coronation church in Amsterdam, you can still find the silver wreath from the Hungarians.
Today, few people remember that when Viktor Orbán wreathed the tomb of Admiral Ruyter in a grand ceremony on the occasion of 325th anniversary of the liberation of the Hungarian Protestant ministers in 2001, the Hungarian Prime Minister and his entourage were invited to a banquet at the Dutch government in the Hague. At the time, Wim Kok, a Labour politician, was leading the Dutch left-liberal government whose “biggest act” was to vote to approve euthanasia and same-sex marriage. With this, the Netherlands became the first such country in the world and has long been a stronghold for the LGBTQ community and ideology; Amsterdam even advertises itself as the gay capital of Europe.
The country which, from the XVI. century to the middle of the XX. century was centered on faith in God, especially Calvinism, in its small communities, school systems, culture, science arts and even public discourse, no longer resembles the “golden age” of the Netherlands, at most in its “paper mâché decor” (to use Huizinga’s expression). In fact, another pitiful example was taking out the royal carriage from circulation last year after BLM activists demanded so because one side of the carriage illustrates black people bowing and expressing their homage to a white woman – reminiscent of Dutch colonial times. This is a very frustrating aspect of Dutch history that still fills them with guilt today as evidenced by the mayor of Amsterdam who, in a speech on the Dutch Memorial Day for the abolition of slavery, apologized on behalf of the city for participating in the Dutch slave trade.




















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